Haribo then. It had to be really, even with the incredibly strong late challenge put up by Littlewoods (undoubtedly the worst Christmas ad of the year), who couldn't really have done any more to win the title of Worst Advert of 2011 if it had executed an old man in a Santa outfit live on air.
Haribo. It sounds like it stands for something. Ha-teful Ri-talin Bo-llocks? Ha-ve R-ubberI-sed Bo-ogers? Thinking on, that seems unlikely but it may as well as far as I'm concerned, it may as well. I hate Haribo, I think the sweets are horrible. But I hate their 2011 Supermix advert more for all the same reasons. Gooey, overly sweet, artificial and indigestible.
The Drum asked Haribo exactly what they were playing at with the Supermix advert, to which they replied with the following:
“The new advert is certainly attracting a great deal of attention. We intended that it would be a fun, memorable and catchy karaoke style sing-along, which is exactly what it is.
Let's examine this statement. The advert, Haribo concedes, is attracting "a great deal of attention".
That's a fairly coy statement in relation to the torrent of hate the ad generated, including a staggering 1,849 dislikes on Youtube, dwarfing 'likes' by around six-to-one. The average ratio of likes to dislikes is around 20-to-one on video channels.
There's at least three Facebook groups set up to disparage the advert. A forum called Britain's Biggest Cunts has a section on the ad called Haribo Chewing Cunts. It certainly seems reasonable to suggest that the advert is attracting a great deal of attention.
What next? Well, agency TBC Inc says it's a "fun, memorable and catchy karaoke style sing-along". Memorable and catchy? Yup - in the same way that a particularly unpleasant dose of dysentery is memorable and easy to catch.
Karaoke-style singalong? Well, if it was a particularly hellish karaoke in a David Lynch nightmare, perhaps.
"Haribo is a family brand and we have a mass market audience and appeal, at the heart of everything we do is fun, whether that’s tongue in cheek or playful.”
At this point I could mention the allegations, levelled at Haribo, of using forced Jewish slave labour during the Second World War but that would be a bit crass, albeit quite amusing.
Does this have mass-market appeal? It's certainly on the radar of a lot of people, but whether putting out an advert that's universally despised is good marketing is a moot point (and one I've mused on before here).
What's more interesting is whether this is supposed to be "playful or tongue-in-cheek". Which is it? The former, an earnest attempt to make something 'playful'? Or the latter, a deliberate attempt to make something awful? I'm plumping for the latter as I don't believe even the most simple-minded savant could feasibly come up with something as artless as this.
What is more interesting than the ad itself is what happened to it. All of a sudden it was missing from the schedules and the previous ad – Interrogation – was back on the telly.
Did Haribo decide, all of a sudden, that their karaoke-style singalong was not just annoying the very tits off people, those tits were orbiting the Earth at a very high level of the atmosphere, as far distant from their owners as Haribo sweets are from being delicious sugary treats? Surely not something so fun and playful? Who's to say.
Suffice to say I thought it hideous - adverts that set out to put me in a bad mood frequently make me feel that way. It's nauseating, bizarre, shrill and - worst of all -affected.
Yes, I think it's the fact that this is all so arch and post-modern and deliberately inane that makes it so terrible. I thought some of this year's worst ads were more egregious on an aesthetic level - and others more misguided - but certainly this is the most purely annoying.
Don't take my word for it though - Haribo was streets ahead of its nearest competitor, in numerical terms, by the end of the vote despite duking it out with Littlewoods for a while.
AdTurds readers have spoken - and they have spoken of their displeasure at "Oh so smooth, love them soft" (an I didn't even get around to those vile pornographic subtexts).
Internet justice - the most useless, fulminating, empty, unreasoning and fleetingly-satisfying justice of all - has been delivered. Fuck you, Haribo. Fuck you all the way to Hades.
Littlewoods gave Haribo a great run for its money, as did Gillette, which kept falling away then regaining lost ground. I suspect that little man's voice from the latter, reverberating around living rooms, became something of a Pavlovian stimulus to many over the year.
Further down were Wonga.com - a particular dislike of mine - perennial overachievers Halifax and Marks and Spencer for its X-Factor ad. I didn't dislike the latter that much, but I thought it a terrible idea. I'm still surprised that it registered so highly though.
Confused.com's horrible adverts were next up - and then the BMW Lund one, which were probably the genuine worst adverts of the year for money, in terms of what I reckon they did for the brand.
All the others got a good few votes each, apart from Eurostar with a single vote.
'Others' - for there was the opportunity to vote for one's own bete noir - did pretty well too, with quite a few suggestions. Go Compare fared well here, as did a late run for the Argos alien sperms - along with a couple of others such as Pepsi Max that has somehow escaped me over the year.
Still, a new year and all that. I can barely wait to be irritated by an all-new crop in 2012. Ehhhhhhhhhhhhhhhhhhhh.
Other choices
Go Compare
Compare the Market
Head and Shoulders / Jenson Button
Cadbury Dairy Milk - The Final Countdown
Pepsi Max Office Men
Mazuma Mobile advert from March/April
Game - Babies
j20 glitter berry camp lock-in
argos
Lynx
Boots "Here Comes The Girls"
Heineken "Bassanova" Utter turd
That PlusNet fat bastard
Not a list I've compiled, this is something Campaign has done - so don't shoot the messenger and all that.
I've reproduced them below as they bear some analysis. None of the worst Xmas adverts of 2011, many of which feature celebs, made it but there's some degree of crossover with my worst ads of the year list.
1. Head & Shoulders, Jenson Button
Campaign says: "Cheesy monstrosity"
AdTurds says: Don't blame Button; blame the freeform poetry about Dandruff shampoo written by a non-English speaker.
2. BritBingo, Gavin Henson
Campaign says: "...the only way Henson could demean himself even further is if he starred in a dodgy Channel 5 reality show in which he embarked on an embarrassing search for a new girlfriend."
AdTurds says: He's the next Matt Dawson
3. Eurostar, Jarvis Cocker
Campaign says: "...a mess... random."
AdTurds says: Utter Euroballs
4. Just for Men, Luis Figo
Campaign says: "new low... cheesy spot"
AdTurds says: Love a Figo role
5. Bernard Matthews, Marco Pierre White
Campaign says: "centred on turkey"
AdTurds says: If MPW can do this for cash, he'll bum a turkey for cash
6. Flora, Vernon Kay
Campaign says: "awful"
AdTurds says: Invites the reading that Kay is now living with his mum after Tess kicked him out over TextGate. Ad should have ended with him rubbing one out to a woman's bra on his mobile.
7. Venky's, Blackburn Rovers
Campaign says:bad performances this year, but this one was the worst of the lot.
AdTurds says: Hard to believe that bending over, spreading her buttocks and saying "I love Schweppes... in al the wrong places!" would have been much more embarrassing for Thurman.
9. Very.co.uk, Diana Vickers
Campaign says: "cringe... patronising... very long time."
AdTurds says: Who?
10. Isme, Lynda Bellingham
Campaign says: "Could Bellingham stoop any lower?"
AdTurds says: Could stoop any lower? If Campaign means 'could she stoop any lower than making an inoffensive advert?' I'd say the answer is yes.
In Roger Corman's portmanteau of Edgar Allen Poe's short stories, Masque of the Red Death, Vincent Price - as Prince Prospero - explains that his father once locked a man in a yellow room for a year to see what would happen. When Prospero was done with him the man was half-mad and unable to look at the colour yellow for the rest of his life.
The most hated man in the country?
Having watched eleven months of adverts that could drive the calmest man to knuckle-biting angst I know how he felt. What would happen, I wonder, if a man were made to watch price-comparison website adverts non-stop for a year? My bet would be a fate from another Poe story, namely being reduced to a puddle of foul, stinking, steaming pustulation in a matter of minutes.
2011 continued where 2010 left off, with a number of big names - chiefly price-comparison sites, financial sectors and high-street names - doing their level best to put you in a bad mood. In a marketplace where brand recognition is paramount, an advert equivalent of a hair-pull is good work.
Reanimated corpses
Let's consider, for a second, the utter absurdity of price-comparison adverts. Short, aggressive messages that cost tens of millions of quid to create and distribute; designed to make us use a website that shows aggregated prices for financial services. And to make us use them they try their damnedest to make us feel angry - it's utterly barking mad by any rational standpoint. Welcome to advertising.
So it should come as no surprise that price-comparison site adverts usually constitute a significant degree of 'worst of' lists. Go Compare and Confused.com anyway. In my wholly scientific price-comparison site advert survey earlier this year readers disliked them the most. CompareTheMarket continues to show that price-comparison sites can be tolerable, enjoyable even, but the majority of ads in this pester-power genre have all the subtlety of a South London racist tram rant.
I've left Go Compare off this year - I think we can all take it as read that we hate it - and the Patrick Stewart MoneySupermarket ones haven't quite piqued my anger yet. Confused.com is, of course, because I absolutely despise it.
Dreams pictured not coming true
Alas, there's nothing we can do about any of this. You want your Corrie, your I'm A Celebrity, your X-Factor, your E4, your More 4; you pay for it. By buying Corn Flakes, Anusol, Mattesons smoked pork sausages, Muller yoghurt, KFC and Volkswagen Crafters. By submitting your details to MoneySupermarket and Go Compare; by banking with Barclays and Santander and Halifax. By doing your Xmas shop at M&S, Tesco, Iceland and Littlewoods.
You pay for these adverts to be created. You have created your very own monster. Stacey Solomon's gangbang of cheap food and families. Jamie's Oliver increasingly piggy face smirking over some brussel sprouts. Freddie Flintoff headbutting pork pies. And, lest we forget, Cara Confused pulling unfeasibly large items out of her vagina.
The only, tiny, infinitesimal thing you can do is to boycott the products of the ads you despise; an act so futile it's up there with shouting at the telly and blogging about adverts you hate.
Vile pornographic subtexts
But you can strike a blow for humanity. You can, in your own way, blow Gio Compario's brains out; throw an anvil at the Halifax choir or kick that "Wooh! Hello buddy, how's your shave?" twat up the arse forever by delivering swift internet justice.
Vote for your worst advert of the year here - and send a metaphorical horse's head to these people. It's the one chance you'll ever get to fight back. The war was lost long ago but, briefly, the boot is on the other foot. And it's a foot of righteous anger.
Deliver it to the knackers of evil - and rejoice.
The worst adverts of 2011 - shortlist
Marks and Spencer Xmas ad
An advert that is so brazen in the lie that it is telling even Tony Blair would baulk at delivering it. Honey-voiced cannon fodder line up to tell us that your dreams can comes true even as they're being edited out of the ad, week by week, as theirs die in the pages of tabloid and shopping centre ribbon-slicing Hell.
I've never included an advert on these lists before simply because the soundtrack is so irredeemably awful. The visual concept is quite nice - albeit not exactly original - but this rendition of Wouldn't It Be Nice - a truly beautiful and lovely song - is so stomach-knottingly awful with its whiney delivery that this may be my most despised advert of the year.
It's possible that this advert opens up a small rip in the space/time continuum every time it's played, so up its own backside is it; like an Ouroboros serpent burrowing into its own rectum, rather than swallowing its tail.
Several people have already been sucked into some sort of existential Mobius strip, as reality struggles to orientate itself with this new level of awfulness.
An elbow to the nose of anyone who's attended Heathrow; to anyone who's been through a body scanner; to anyone who's looked forlornly at a notice board to see a row of red where their flight details should be.
Wonga got into trouble last year for making adverts deemed too flippant to sell an eye-wateringly high money-lending service, so what did it come back with? Three grotesque hyperannuated puppets, gurning and twitching around, explaining various 'payday loan' scenarios.
Adverts to give you nightmares, if not for the crippling APR, then the disturbing mannequins - like marionette corpses given life once more in the pursuit of selling ill-advised loans.
Would you buy money form reanimated cadavers, twitching around in their ghastly parody of their former lives? Did you know that Wonga.com actually uses reanimated corpses to staff its call centres? Of course you didn't. But you do now.
I have no inherent objection to ads that try something else; cock a snoop at received wisdom. I like Jarvis and Gondry; some of my favourite adverts are utterly batshit crazy, but this is simply idiotic. No-one knows who these three people are; two-thirds of them are hard to understand; the concept is confusing and unengaging.
The most ridiculous thing of all is that this is an advert for Eurostar that's using London 2012 as a hook. It is quite conceivable that Europeans might be lured to Eurostar by the promise of Olympic sports to the other side of the channel.
But it has exactly zero relevance to anyone in the UK - unless they're planning to fly to Paris and then get the train back to London in order to get to a lake in Slough. Just a bad, bad idea.
BMW tracked to two brothers and interviewed them about their empty lives: cue instant hatred.
How could it ever have been otherwise? Everything about this advert is dripping with a smugness so cloying it's a relief when the television doesn't dissolve in a warm, self-satisfied fart and start oozing into the carpet.
The Lunds themselves may be nice people, but if BMW had made it their target to make themselves, and the brothers, look like the biggest cunts in the world they couldn't have done a better job.
I'm still not exactly sure what happened here? Is this the confused result of an ad simply gone very wrong? Or, more likely, an attempt at a deliberately bad advert. A bad advert so bad that it made Halifax and Go Compare look like an indoor firework compared to Haribo's Tunguska?
Are there any vile pornographic subtexts here? Almost certainly not - but that doesn't mean I'm not going to imply that there are. And it's really hideous stuff. I mean it. Sick, just sick.
Can you image if you actually, in real life, saw the events in this ad take place? The utter horror of that - your world turned totally upside down. Either you had lost your mind or, or...
The alternative is too hideous to contemplate. But I feel sure the Haribo family would start moving towards you. No smiles, dancing or singing now. Just pure, unfettered blood lust. The horrifyingly blank eyes, the hungry mouths, the chittering noise as they gnash their teeth...
This, on the other hand, is rather more straightforward. It's utterly hideous on a much more prosaic level; the result of a creative brief just going more and more wrong with each successive iteration.
There's a decent idea behind all of this; it looks glossy enough. But it's annoying. And it's utterly inept. Why the heck was a rap about salad included here? And why crowbar it into the ad is such an unwieldy way? "Help yourself to salad [three second pause]... all the salad that you want." Dear Christ.
I refuse to believe anyone associated with the ad was happy with this. No-one put this to bed with that sense of satisfaction of a job well done; just a weary shrug. The problems, the lack of direction, vague brief, 'the best we could do'.
I imagine the director, driving away from the shoot at a Harvester on an industrial estate near Daventry; Five Live is on but he's not listening. He misses his turning but just lights a cigarette and just drives and drives and drives...
Stephen Merchant always seemed like the nice one when set against Ricky Gervais, didn't he? You could imagine Ricky Gervais actually physically abusing Warwick Davies - but not Merchant.
He may not actually step in but would linger in the background, distaste writ large on his face as Gervais' high-pitched hyena-ish laugh rang out, another blow raining down on the dwarf's back.
"Come on Ricky," he'd offer, a weak smile on his lips. "That's enough now. He's had enough for one day."
Gervais would stop; his fun forgotten, for now.
"What did you say? 'Stop'? Stop what?". His voice is calm and sounds reasonable, but there's a dread stillness to him now.
Suddenly Warwick shrieks in pain as the riding crop connects; another withering blow on his lacerated buttocks.
A nervous rejoinder: "The, er, the whipping. Stop. You've gone too far." Merchant swallows hard.
"Too far? I've gone too far?" A high-pitched giggle, baring those oddly pointy teeth. "And who are you to tell me I've gone too far, you gangly Milky Bar... Cunt."
Gervais approaches, flicking the riding crop absent-mindedly, unblinking.
Merchant spots a squirrel dashing across the set and point it out, hoping it will lighten the mood.
"Squirrel there, oops, he's off," pointing at the squirrel disappearing through a door; another nervous smile.
It's not working - and he can tell Ricky is getting tumescent with the thrill of the violence that is to come.
"No, come on, you've had your fun Ricky. Let's write some more lines, eh?"
"'Write more lines'? Oh, I see. You want some of this too. Is that what you want?"
Spittle flecks the lips and Gervais is clearly nursing something that isn't vertically challenged in his pants.
"You want to talk to Mr Whippy too? I'll write some lines - across your back!"
Ricky is now pointing at Stephen's face with the fun-size whip. Stephen backs away, but Shaun Williamson grabs him from behind and holds him steady.
Gervais raises the whip above his head, Merchant knows that to struggle will only make it worse. Warwick Davies is sobbing across the room - still wearing the leather chaps and waistcoat Gervais insists on - a look on his face that says 'thankyou'.
At that second Johnny Depp enters the room, and it's as if a light has been switched on. Gervais drops the riding crop, Barry wanders off in search of cream cakes and Merchant relaxes, slightly.
He fingers the scars on his face and neck; flinching at Ricky's high-pitched whinnying. At least Warwick survived.
This time.
Once upon a time you might have looked at Ricky Gervais and Stephen Merchant and imagined a dynamic between them a bit like that. But no more. This set of Barclays adverts are so awful I find it impossible to look at him in anything approaching a positive light any more.
I'm sure Ricky Gervais does not whip dwarves with riding crops, just as I'm sure neither man is actually evil. But whenever one of these ads comes on I think of Merchant brandishing an Ewok figurine and throwing it at Warwick Davies. Really hard. And laughing.
...and still they come. Confused.com adverts are certainly memorable - for featuring a weird cult with massive bouncing breasts and a multi-dimensional muffed leader singing about what is understood to be a dating service.
If Brian Blessed were to shout FAIL from the moon for eight years it wouldn't be sufficient to describe this deleterious misfire.
Can Paul Whitehouse tapdance? Is Paul Whitehouse dead? Has Paul Whitehouse bought a house in Tuscany? These ads seem to really confuse people, who don't seem to be able to tell fiction from reality.
They confuse me too, mainly because they're so strange. They're just like Fast Show vignettes, but somehow there's a message for insurance in there too. I never really receive that message because I'm too busy writing WTF? all over my skin in felt tip.
A very unlovely, aggravating, baffling and truly weird series. In't Aviva brulliant? No, no it's not.
Quite probably taking victory at the last minute, for my money, this Christmas advert for Littlewoods is not content with simply being an entirely new shade of awful, it's killed off Santa too.
I'm not really sure why Littlewoods felt the need to dispossess children of their youthful innocence quite so abruptly and violently, but there you are. Perhaps because Santa Claus is now deemed an obstacle to accessing the true meaning of Christmas - children's pester power - to be tolerated any longer.
Perhaps they should have gone further; explaining that their parents will die one day, anything they truly love will be taken away from them and there is no God.
Start firing off Littlewoods credit cards emblazoned with 'THIS IS THE ONLY THING THAT TRULY LOVES YOU' once they get to 12 months, I say.
I always hated this song, but imagine how much more I hate it now that it's being used to advertise cow paste, using a reanimated cow skidding around on a dinner table.
I mean, at least Wonga waits until people die to use their corpses to run their UK operations, but Colmans relies on cow's being killed to make its beef gravy. That's right - a creature loses its life for this to be made possible.
That's all well and good, but there's no need to shout about it - or make a hideous, distasteful advert about it. It would be like Wonga using their bodysnatching teams on their adverts.
Having dispensed with the services of DLKW, who were responsible for the radio station adverts, it's now up to Adam & Eve to rescue Halifax's reputation; battered by poor performance as part of Lloyds and its hated ad campaigns.
This one is noticeably less egregious; it's not actually trying to cause you mental distress, which is always a bonus. The people in the choir are actual Halifax employees and they're trying to convey messages such as Halifax's Saturday opening and so on.
But still it's horribly annoying. It may be the misappropriation of the songs - I don't want my bank telling me they'll 'be there' or that I've had a 'hard days night', but it's OK 'cos the bank's open in the morning.
What next? 'It's OK not to be OK'? 'You are beautiful in ever single way way'? 'What I got you gotta get and put it in ya'?
To try and bolt such garbled messages about savings accounts and the like to these twee little ditties is simply rather grisly. It's like a door-to-door salesman spending hours cooing over your family snaps and lovely crockery, only to open his briefcase in the last ten minutes and try to sell you a 'little piece of paradise'.
You kinda wonder if all the preceding stuff is just a big pile of bullshit, don't you? And, you know what, you'd be absolutely right. Banks exist to make money from you - don't forget it.
Also, bonus hatred for the guy who does a little first pump in the bottom left-hand corner at the climax of one of the ads - for some reason not present in any of the ads on Youtube. I bet the people who made the ad would make out that it was "just something he did on the day" and that they "decided to leave it in".
Lucky that he was positioned in one of the two places that would be really noticeable, then, eh?
Now vote for your most hated ad of 2011
You've seen the candidates - now you have to pick one. And only one, mind. None of this multiple voting shit. I know it's hard. You may have to think long and hard and about - agonise over whether your vote goes to Wonga, Littlewoods, Barclays or one of the others.
Another month, another deluge of funny, weird, sexy and scary keywords that AdTurds readers have been typing into their search engines.
The one in the title - Fuck off I'm not talking to rice Uncle Ben - tickled me, but the following one also elicited a giggle too:
does the vw advert really say wouldn't it be nice if we were rover?
It isn't, of course, but the idea of it amused me. I doubt if any car manufacturer in the last 20 years would envy Rover, but the notion of VW putting subliminal messages into its ads, such peculiar ones at that, is an intriguing one.
Elsewhere the guy on the far left of the Halifax choir is upsetting readers - several readers have been upset by him. I've not seen him yet, but I imagine there's already a Facebook page that exists simply to disparage him. He'll probably be making an appearance on here soon, as I suspect I'm going to loathe Halifax's new ads even more than the old ones in the long run.
Paul Whitehouse, Stephen Merchant, Cheryl Baker and Louise Rednknapp were in the firing line this month - I particularly liked 'freddie flintoff morrisons fucking idiot' though.
Brands-wise it's all about Halifax, Barclays, Go Compare, Confused.com, Wonga, Haribo, Colmans, Gillette and Eurostar to name a few.
Already the shortlist for the worst adverts of 2011 article is forming. And what a shitty shortlist it's shaping up to be.
AdTurds October 2011 keywords
oh the hatred i feel for the halifax adverts cannot be put into words - 11 separate instances. I find this hard to believe, but surely Google can't be wrong? According to the Big G 11 different people typed this phrase into their search engine and navigated here